Stunt performers & doubles

Skilled in fights, falls, reactions and high-impact action.

  • STUNT PERFORMERS
  • DOUBLES
  • FIGHT
  • DRIVING
  • FALLS

STUNTS SUPPLIED FOR
DEADPOOL & WOLVERINE

WHAT WE SUPPLY

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THE PEOPLE BEHIND THE SEQUENCE

Three kinds of stunt performer,and the action around them.

01

Stunt performers

Experienced stunt performers for fights, martial arts, weapons work, falls, wire work, water and precision driving. Only ever booked through the stunt coordinator.

SLOW HORSES

02

Stunt doubles

Stunt doubles matched to your lead on height, build, skin tone and movement, so the cut holds when the action takes over.

THE MARVELS

03

Stunt actors

Stunt performers who are also brilliant actors, for roles where the action and the performance can’t be separated. Our performers have taken on some incredible roles, including Chi Lewis-Parry in 28 Years Later and James Wilkinson in Masters of the Universe.

28 YEARS LATER

04

SPACTs (action extras)

Not stunt performers: SPACTs bring the world around the action to life, from reactions and scrambles to choreographed crowd and battle scenes, and never take the place of a stunt performer.

THE WITCHER: BLOOD ORIGINView SPACTs

STUNT & ACTION

The coordinator’s call. Always.

Our stunt performers are only ever booked through the production’s stunt coordinator, never directly, and always at the agreed industry rates. We’re here to support the coordinator’s team, not to build one around them.

  • Stunt insurance & training

    We encourage all of our performers to hold their own stunt insurance and to keep training. It protects them, and it’s part of taking the work seriously.

  • A dedicated stunt roster

    Our stunt work comes from a dedicated roster, not our general books. We follow every performer’s progress, so we know who is right for which job, and we’ll say so if someone isn’t ready.

  • Where careers start

    We’re proud supporters of the British Stunt Register and encourage anyone serious about a career in stunts to join. Many of our performers are training towards it, and some who started on our books are now working professionals on core stunt jobs around the world.

On the day vs on the screen

PLATE TO FINAL FRAME

Drag across the frame to see how every movement on set carries through to the final shot.

A line of costumed performers braced for action in front of a blue screen hung with tracking markers, smoke and fire on the set floor
AS SEEN ON · DEADPOOL & WOLVERINE

The same line of performers in the finished shot, a vast skull-shaped gateway looming above them in falling snow

What our clients say

STUNT COORDINATORS & BOOKERS

Adam Horton

Stunt Coordinator

I’ve worked with Tyler and Take 3 across numerous productions, providing talent for everything from action extra work through to stunt performance. In action, having the right people in front of camera makes a huge difference. Take 3 offer an impressive and diverse pool of talent across different backgrounds, ethnicities, genders and levels of experience, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. Tyler and his team understand the realities of working within an action department: things move quickly, requirements change, and you need people who are professional, capable and ready to perform. Take 3 consistently deliver that. They’re reliable, adaptable and always there to support the needs of the production. For me, that makes Take 3 a trusted resource and a team I’m always happy to work alongside.Take 3 offer an impressive and diverse pool of talent, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. They’re reliable, adaptable and always there to support the production.I’ve worked with Tyler and Take 3 across numerous productions, providing talent for everything from action extra work through to stunt performance. Take 3 offer an impressive and diverse pool of talent, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. They understand the realities of working within an action department, and they’re reliable, adaptable and always there to support the needs of the production.

STUNTS SUPPLIED FOR

Gladiator II