Stunt performers & doubles

Skilled in fights, falls, reactions and high-impact action.

  • STUNT PERFORMERS
  • DOUBLES
  • FIGHT
  • DRIVING
  • FALLS

STUNTS SUPPLIED FOR
DEADPOOL & WOLVERINE

WHAT WE SUPPLY

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THE PEOPLE BEHIND THE SEQUENCE

Three kinds of performer,and the action around them.

01

Stunt performers

Experienced performers for fights, martial arts, weapons work, falls, wire work, water and precision driving. Only ever booked through the stunt coordinator.

SLOW HORSES

02

Stunt doubles

Stunt doubles matched to your lead on height, build, skin tone and movement, so the cut holds when the action takes over. Booked through the stunt coordinator.

THE MARVELS

03

Stunt actors

Actors with real physical ability, for parts where the fight and the performance go hand in hand, working alongside the stunt team to bring the action to life. Recent roles include Chi Lewis-Parry in 28 Years Later and James Wilkinson in Masters of the Universe.

28 YEARS LATER

STUNT & ACTION

The coordinator’s call. Always.

The performers we suggest for stunt work are only ever booked through the production’s stunt coordinator, and always at the agreed industry rates. The stunt team leads, and we’re there when they need us.

  • When the brief is specific

    Stunt teams come to us when they need something particular: a specific skill, look or physical match. If we know someone who’d be right for a role, we’ll suggest them to the coordinator, and the decision is always theirs.

  • Held to the same standards

    Anyone we put forward to a stunt team has earned it. We only suggest performers with exceptional, proven skill who carry their own stunt insurance and keep up their training. It’s the bar the stunt community sets for itself, and we hold to it too.

  • Backing the Register

    We fully support the British Stunt Register and encourage anyone serious about stunts to work towards it properly. Many of the Register’s newest members started out with us, and it’s been a privilege to watch them go on to core stunt work around the world.

On the day vs on the screen

PLATE TO FINAL FRAME

Drag across the frame to see how every movement on set carries through to the final shot.

A line of costumed performers braced for action in front of a blue screen hung with tracking markers, smoke and fire on the set floor
AS SEEN ON · DEADPOOL & WOLVERINE

The same line of performers in the finished shot, a vast skull-shaped gateway looming above them in falling snow

What our clients say

STUNT COORDINATORS & BOOKERS

Adam Horton

Stunt Coordinator

I’ve worked with Tyler and Take 3 across numerous productions, providing talent for everything from action extra work through to stunt performance. In action, having the right people in front of camera makes a huge difference. Take 3 offer an impressive and diverse pool of talent across different backgrounds, ethnicities, genders and levels of experience, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. Tyler and his team understand the realities of working within an action department: things move quickly, requirements change, and you need people who are professional, capable and ready to perform. Take 3 consistently deliver that. They’re reliable, adaptable and always there to support the needs of the production. For me, that makes Take 3 a trusted resource and a team I’m always happy to work alongside.Take 3 offer an impressive and diverse pool of talent, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. They’re reliable, adaptable and always there to support the production.I’ve worked with Tyler and Take 3 across numerous productions, providing talent for everything from action extra work through to stunt performance. Take 3 offer an impressive and diverse pool of talent, giving us the ability to cast people who genuinely fit the demands of the sequence rather than simply filling numbers. They understand the realities of working within an action department, and they’re reliable, adaptable and always there to support the needs of the production.

STUNTS SUPPLIED FOR

Gladiator II